Ational aconomy Essay Example for Free

Ational aconomy EssayA sum danger is a p cheatnership drawd by agreement between the p deviceies to share in the losses and profits of the game. solely it is foreign a p artistic productionnership in that the venture is for one specific visit only, rather than for a chronic business relationship. If we speak about two great artists Anrie Matisse and Pablo Picasso the idea about their joint venture could be expressed in the words History of success or How they never ricked together just now influenced upon for each one other. When Picasso met Matisse, his French was poor and he was non so experiencied as his older college.Fernande Olivier said Matisse, beaucoup nonnegative age, serieux circonspect, navait pas les idees de Picasso. Pole Nord et Pole Sud , disait-il en parlant deux deux. He characterized Matisse in those words Le type du grand maitre sanction aux traits reguliers, a la forte barbe doree, Matisse etait sympathique. Il semblait cependant se derober derriere ses grosses lunettes, reservant lexpression de son regard mais parlant longuement des quon lentreprenait tire la peinture. Il discutait , affirmait, voulait convaincre.Il avait deja pres de 45 ans, tres maitre de lui a lencontre de Picasso, timide, toujours un peu maussade et gene dans ces sortes de reunions. Matisse brillait et simposait. Ils etaient les deux artistes de qui on attendait le plus. Leo Stein, aggregator and mecenate said that disorder and dust (le desordre et la poussiere) was usual medium for Picasso versa order and calms (lordre et le calme) for Matisse. They were competitors but they were were friendly competitors. Matisses focus was color and lines while Picasso put form above all.And it is so exotic to read words of some art experts (Robert Rosenblum) about their competition This is like the heavyweight championship of the art world like the battle of the titans, like the Montagues and Capulets. One of the exciting things about it is the friction, th e rivalry, the give and take. Well, what art turnout was the result of two or more artists working together as a joint venture? Historically the first examples of joint venture were seven wonders of the past world.I can not phone names of all authors of the Great Pyramids at Giza, the Hanging Gardens at Babylon, the Statue of Zeus at Olympia, the Temple of Artemis at Ephesos, the Mausoleum at Halicarnassus, the Colossus of Rhodes and the Pharos (Lighthouse) at Alexandria. Nobody can. exactly I should try. The biggest and the most successful cypher is Khufus pyramide. So, what parties we have in this joint venture? Producer and general director Great female monarch Pharao Khufu. Architect and executive director Khimeun. Other participanys hundreds of unknown artists.Tourists want to look at this specimen of ancient art and they ready to pay for this pleasure. Some kinds of arts are syntetic by their nature. Like opera, which is a sport set to music and made up of vocal piece s with orchestral accompaniment and orchestral overtures and interludes (www. m-w. com). So several(prenominal) persons participate in developing opera composer and conductor (music), writer (libretto), scenograph and director (performance). Success of the performance depends not only on music or text but on every participant. Painters usually work independently.Leonardo da Vinchi made picture Babtize of Christ (Andre Veronezes workshop) to be more expensive when he put his hand to an angel and landscape. But when young Leonardo worked with Veroneze he was only his apprentice. Some artists created family which became brend name of their production. Soviet caricaturists Kupriyanov Mikhail, Krilov Porfiri and Sokolov Nikolay were teamed up during second world war and their caricaturs chumped as KUKRINIKSI. Work in harmony is ideal. But artist team creates atmosphere of inspiration which helped individuals to produce true chedevre.This was a project conceived of with joy and optimis m, it was carried out with faith and cheat faith that we could, as a team, work collectively to create something much greater than each of us individually and love because thats why we make street paintings we love what we do. these words of participant of street painting festival demonstrated values of team work and joint venture in the art. So, the oldest story is relationship of moderate and apprentice. The apprentice system, through which new artists learned the trade ensured that styles of art were continued from master to apprentice.An apprenticeship was an obligation of future painter members and normally lasted from four to six years. This period spent in a recognized master painters workshop insured the young artist a exhaustive familiarization with the complexities of his craft. Laborious task like hand grinding of mineral paints was often left to the apprentice. In the get the hang studio the apprentice was exposed to the many thoughts, opinions and artistic the ories which circulated with great fluency from one artists studio to the others. Painters studios were often lively places frequented by artist, patrons and men of culture.Animated artistic debates as well as exchanges of culture concerning the art market were the norm. The apprentice, within the space of a a few(prenominal) years, was personally exposed to an endless stream of ideas and information which passed every day through the master studio. He was allowed to work on the less important areas of the master own paintings such as large areas of unmodulated color or monotonous areas of foliage in the background. The master closely followed his pupils progress and corrected him when needed. Some extremely talented artists were able to leave the masters studio within a few years.Rembrandt progressed so rapidly that he already had pupils of his own at the age of 21. An apprentices first tasks were humble sweeping, running errands, preparing the wooden panels for painting, and grin ding and mixing pigments. As the apprentices skills grew, he would light to learn from his master drawing sketches, copying paintings, casting sculptures, and assisting in the simpler aspects of creating art works. The best students would assist the master with important commissions, often painting background and minor figures while the Master painted the main subjects.The few apprentices who showed amazing skill could eventually become masters themselves. A very few became greater artists than their masters. As the apprentices skills improved he worked on the more complex areas such as drapery and the secondary objects seen in the painting. Once the apprentice had gained sufficient mastery, he was allowed to conceive and execute his own paintings, but could neither sign nor sell them. This could be done only after he had undergone the entrance exam of the guild. Another advantage of be a guild member was permission to sell paintings of other artists as well in order to increment his earnings.Its very difficult to call this relationship true joint venture. But we could find some parallels in the modern business. For example iFIDs. com is a joint-venture partnership between Thunder verbalise International Airport Inc. and Aviation InterTech. iFIDs. com came about when the airport went looking for a flight information endanger system for the terminal to fit their budget and Aviation InterTech came up with a low-cost Internet-based solution. Another axample the joint venture have been formed recnetly between BBC Worldwide Americas Inc. (BBCWA) and New York merchant banking firm Veronis Suhler.The venture result initially focus on acquiring consumer lifestyle and informational publishing properties with cross-media expansion potential. It incorporated the BBCs exist and future North American businesses in publishing including video, books and magazines. The 50/50 joint venture is being capitalized at $100 million of equity, with significant purchasing power beyond this. The company will be managed jointly by both partners. You see joint venture in the art is always virtual. But JV in the business is very important part of world and national aconomy.